• R.H. Quaytman’s Dalet with Museum Abeitberg

      Wednesday, 18 September 2013 09:00

      Daughter of a postmodern poet and an abstract painter, Quaytman knows how she wants to operate within the structure of art history. Dalet is an artists book of her work published by Published by Museum Abeitberg. Cryptically named after a Hebrew letter that sometimes operates as a non-sacred stand in for the Jewish names of […]

    • Acharya Vyakul, Chris Johanson, and Chris Corales at Adams and Ollman

      Tuesday, 17 September 2013 09:00

      The duty of policing the borders of what art is and who is an artist can be an uninteresting and hazardously mind-numbing task. But this year, when we witnessed the Venice Biennale’s Palazzo Enciclopedico (The Encyclopedic Palace) labeled the outsider or visionary Biennale, one does begin, despite herself, to ponder, “what does mark an image […]

    • Sarah Bednarek’s Geometron at ADA Gallery

      Monday, 16 September 2013 16:23

      Artist Sarah Bednarek’s work in sculpture and drawing addresses ideas of the finite and the infinite, of the perception and possibility of a mathematical and geometric ideal—one that eludes our grasp in our everyday reality but can be faintly glimpsed in mental images and in the world of the imaginary. She articulates a sense of […]

    • Zoi Gaitanidou’s Risk Aversion at Scaramouche

      Thursday, 12 September 2013 09:00

      Zoi Gaitanidou’s work is a complex mixture of painting and embroidery. Originally trained as a painter, Gaitanidou creates her works on both a microscopic and macroscopic level constantly zooming in to sew each detail and stepping away to view the entire composition. She uses color as a tool in her recurring alternation between abstraction and […]

    • Building Blocks: Leslie Baum, Stacy Fisher, and Matt Miller

      Wednesday, 11 September 2013 14:00

      One of the fundamental games introduced to us as children was a set of building blocks. With unhindered imaginations and seemingly infinite possibilities for rearranging the fragments, we gradually learned depth perception, spatiality, physics, and creative expression. These pieces became representational, familial, and even tools for translating the things that we thought were visually interesting. […]

    • Anywhere or Not at All: Verso’s Latest Offering from Peter Osborne

      Wednesday, 11 September 2013 09:00

      In a conceptually challenging and forward-thinking text, Osborne puts forth the idea that the term ‘contemporary’ has been misused as a catch-all tag for current art that is actually quite the misnomer. He instead postulates the idea of a ‘post-conceptual art’, arguing that an accurate art-historical evaluation on the present is not only eventually foolhardy […]

    • Lightspeed: Trygve Faste at Ruth Bachofner Gallery

      Tuesday, 10 September 2013 09:00

      Contemporary design compresses the problems of quantum physics into domestic space.  In Lightspeed, a show opened September 7th at the Ruth Bachofner Gallery in Santa Monica, California, Oregon artist Trygve Faste explores the kinetic architecture of such transformations. His work experiments with the way lines organize space dimensionally, how angles catch and refract light, and […]

    • A Healthy Suspicion: The Josef Albers Interaction of Color App

      Monday, 9 September 2013 09:00

      As a young man really sinking my teeth into what it meant to be painter in undergraduate school, I’ll never forget the day our professor hauled out the legendary Josef Albers book on the Interaction of Color. Hers was a really well-loved copy with loose pages spilling out from the tired binding here and there. […]

    • Ben Pritchard on James Cullinane: Into a Place Beyond

      Friday, 6 September 2013 09:16

      It is always a joy to see an exhibition that immediately establishes a specific intention. It is even more enjoyable when the artist goes about exploring and developing this intention and pushes a way of working into a place beyond an initial thematic logic, into something or somewhere else. James Cullinane’s show Limbus at Robert […]

    • Adam Fowler: Escaping Forward

      Thursday, 29 August 2013 18:43

      Once a mark exists on a page, for the most part that’s it. Erasing can make the pigment seem to disappear, but the impression the drawing implement has left on the surface remains. It usually cannot be moved around. Usually. Adam Fowler’s exhibition of new work titled Escaping Forward at Margaret Thatcher Projects offers one […]