Tag Archives: Masha Froliak
Rigoletto at Boston Lyric Opera
I happened to be at the premiere of the new production of Rigoletto by Boston Lyric Opera. Unlike any other Rigoletto I’ve seen, this particular production hits you right in the gut. To find out why, I went behind the scenes to interview the director, costume designer, set designer, and main character. I wanted to […]
Robert Wilson’s Life and Death of Marina Abramovic
Marina Abramovic, Yugoslavian performance artist famous for her long durational works once said, “The only last thing an artist can control—his own funeral.” She in fact wrote her last will and testament in which she wants three coffins to be buried in three different countries, and her memorial ceremony to be a celebration of life […]
Last Meeting with Deborah Turbeville
Deborah Turbeville, a fashion photographer, always claimed that she wanted to blur the boundaries between fashion and art. Her early avant-garde works back in the 1970s were strikingly different – melancholic, unsettling and technically imperfect: grainy, overexposed, and cropped in unusual ways. They changed fashion photography from clean and predictable into dark and strange. I […]
Loznitsa’s In the Fog and an Interview with the Director
The second feature film of the Ukrainian director Sergei Loznitsa, who is largely known for his documentary works, not only reached great attention at Cannes Festival in 2012, but stirred some debates as to his approach to the subject of war and humanity. In the events of WWII Belarus lost a quarter of its population […]
John Malkovitch’s Modern Interpretation of Dangerous Liasons
When John Malkovitch played Vicomte de Valmont in a renowned film, Dangerous Liasons (1988), based on a novel by Choderlos de Laclos and directed by Stephen Frears, his performance was unexpected and stunning. Now, 25 years later, Malkovitch’s decision to direct Dangerous Liasons onstage as “a play that never pretended to be a movie,” is […]
Ugo Rondinone’s Human Nature with Public Art Fund
By Masha Froliak In the midst of nineteen commercial buildings of Rockefeller Center, scattered between 49th to 50th street, stand nine unique human figures of Swiss artist Ugo Rondinone. Human Nature, the latest site specific creation of the artist, is built of massive bluestone slabs piled on top of each other into forms which resemble […]