-
David Altmejd’s Universe
Saturday, 27 February 2016 17:09I felt very excited when I heard that the Musée d’art contemporain de Montréal was planning a retrospective of David Altmejd’s work in the summer of 2015. I couldn’t wait to see it. Altmejd is an international artist whose work has been included in important Biennials (Istanbul, 2003; Whitney, 2004; Venice, 2007 where he represented […]
-
Michael Joo’s Latest Solo Show At Blain|Southern London
Friday, 26 February 2016 20:49Review by Paul Black Acclaimed NY artist Michael Joo is currently presenting the largest solo show in London to date. Radiohalo; is a major solo exhibition of new works by the conceptual artist at Blain|Southern London, presenting works across a variety of media and substances incorporating themes of energy, nature, and technology, creating a complex […]
-
Yaroslav Derkach SYMBOLS
Friday, 26 February 2016 18:24Yaroslav Derkach SYMBOLS 18.02 – 18.04.2016 Symbols, strong as steel How powerful senses of this world can be expressed? Perhaps, using symbols. Project consists of ten objects, and their configuration is triangle and square, which personify an intention to grow up and stability. Material, from which the symbols made, is a symbol itself. It is […]
-
Jill Baroff: in a grove
Wednesday, 24 February 2016 20:13Since the mid-1990s, Jill Baroff has been strongly influenced by Japanese architecture, which she categorizes as “floor-based,” as opposed to the West’s emphasis on verticality. During a six-month NEA fellowship in Japan, Baroff was captivated by the way light traveled across the weave of her tatami floor during the day; constantly changing the patterns of […]
-
Modern Art arrives to the Museo Nacional de Arte with the exhibition Los Modernos
Thursday, 18 February 2016 05:19Although the main discussion centers were the cities of New York or Paris, the modern thinking in art didn´t only took place there, its aspirations reached other latitudes that, simultaneously, were added to the break up with the figurative tradition of naturalistic representation and configured the new artistic languages that we know today as Avant […]
-
BUCHAREST BIENNALE will use billboards for the first time to exhibit artworks
Tuesday, 16 February 2016 20:51The curator of the seventh edition of Bucharest International Biennial for Contemporary Art will use a novel approach to bring art closer to people in the public space. This is the first edition of Bucharest Biennale where the works will not be exhibited between the four walls of a museum or an art gallery, but […]
-
Marcel Broodthaers: A Retrospective
Monday, 15 February 2016 17:23Through Sunday, May 15 Marcel Broodthaers (Belgian, 1924–1976) worked primarily as a poet until the age of 40, when he turned to the visual arts. Over the next 12 years, his work retained a poetic quality and a sense of humor that balanced its conceptual framework; for his first solo exhibition, he encased unsold copies […]
-
THE ARMORY SHOW ANNOUNCES TIME – BASED EXHIBITOR PROJECTS
Sunday, 14 February 2016 23:54New York – The Armory Show is excited to announce a series of special projects by three exhibiting galleries, which explore concepts of time and decay through performance and sculpture. Participating artists include Romina de Novellis (Galerie Alberta Pane in partnership with Kreëmart), Los Carpinteros (Sean Kelly Gallery) and Jonathan Schipper (Pierogi). In the Armory […]
-
Glenn Ligon – What We Said The Last Time and Entanglements
Friday, 12 February 2016 23:36Luhring Augustine Glenn Ligon What We Said The Last Time and Entanglements February 27 – April 17, 2016 Opening Reception: Friday, February 26, 6–8pm Luhring Augustine is pleased to present What We Said The Last Time, an exhibition of new work by Glenn Ligon, and Entanglements, a curatorial project by the artist. A companion exhibition […]
-
In Cameron Rowland’s ‘91020000,’ Disquieting Sculptures
Sunday, 31 January 2016 00:44Published by Roberta Smith for The New York Times The objects in Cameron Rowland’s remarkable show at Artists Space offer a history lesson and an aesthetic experience, intricately fused. Accompanied by terse explanatory captions, they expose some of the troubling inequities in American society, especially concerning its prisons and their use of compulsory inmate labor. […]