• Bringing the Good Stuff: NY Arts Current Exhibition Picks

      Thursday, 17 April 2014 09:00

      Showcasing everyone from big names to emerging stars, there is a lot of great art to be seen in NYC these days. Here are our selections for the best shows that are up to be looked at right now. All across town, from painting to sculpture to video and performance, take a peek and then […]

    • Top Picks for Tribeca Film Festival

      Wednesday, 16 April 2014 21:41

      Every spring the Tribeca Film Festival rolls through lower Manhattan for a short but rich visit. The festival, founded in 2002, partially as an effort to reinvigorate Manhattan, is now a New York City staple. There is always a dynamic line-up, including independent films, documentaries, narrative feature-length films, and shorts. Happening from April 16-27, here […]

    • Film Maven: The work of Jordan Rathus

      Wednesday, 16 April 2014 15:39

      Based On, If Any, Jordan Rathus’s incisive and wildly entertaining museum debut, at the Hudson Valley Center for Contemporary Art focuses primarily on videos that playfully deconstruct and subvert preconceived expectations of both authorship and viewership. Drawing on the materiality of film, Rathus dissects the conventions of the medium, and also draws attention to the […]

    • Leah Oates in Conversation with Katherine Daniels

      Monday, 14 April 2014 09:00

      Leah Oates: What was your background, and what has been your progression as an artist? Were there any creative types in your family, and when did you know you were going to be an artist? Katherine Daniels: I grew up in Huntington, West Virginia. I was always drawing. As I was bad at sports and was […]

    • Jim Elledge’s Henry Darger: Throwaway Boy

      Friday, 11 April 2014 19:32

      Jim Elledge’s, Henry Darger: Throw Away Boy presents a rich portrait of the outsider artist’s life, scaffolded with a decade’s worth of research. Arguing against claims that Darger “was a pedophile, a sadist, or a serial killer”, Elledge has produced a fascinating, and frankly heart-wrenching, account that explains Darger’s work through the context of it’s […]

    • İrfan Önürmen’s Existential Veils at C24 Gallery

      Friday, 11 April 2014 09:00

      İrfan Önürmen plumbs the intricacies of existence with a postmodern process-oriented painting strategy that fuses a cartoon drawing aesthetic, tulle collage, and cubist planar construction; effectively obscuring formal classification and raising more questions than it answers. His current show at C24 Gallery persistently mines the many shades and guises of the human condition in subtle […]

    • On the Misunderstood “Privilege of Art”

      Wednesday, 9 April 2014 01:05

      In the wake of Marcel Duchamp’s celebrated and oft-misunderstood debunking of the myth of the sacred artwork, is it still possible to ask what “Art” signifies in our contemporary cultural context? That is to say, is art necessary in a globalized and confusing world? Does art name an external object of perception (“objet d’art”) as […]

    • Learning to relax with Jamillah James

      Tuesday, 8 April 2014 19:39

      I come from a musical background; my mother studied music in school, later teaching vocal and instrumental music in Newark public schools, and I grew up learning and playing multiple instruments. As a young person, I didn’t have much exposure to the visual arts, other than the occasional visit to the Met or the Newark […]

    • Leah Oates Talks NYC Culture With Momenta’s Eric Heist

      Tuesday, 8 April 2014 09:00

      Leah Oates: How did Momenta form and what is the mission of the gallery? Eric Heist: Momenta began in 1986 as a group of five young artists in Philadelphia that were interested in having some critical dialog about their work after undergraduate school. We were working day jobs and felt isolated in our studios with […]

    • A Compatibilist Response to Phil. 176/OBIT.

      Wednesday, 2 April 2014 09:00

      Everybody agrees that “Hey Ya!” is the greatest song. Viscerally and emotionally powerful, its references to history and form leave no doubt as to Andre 3000’s intelligence and artistry. It isn’t often that a piece can create such unanimity of judgment. And, what exists at the other end of the spectrum?  Can a work actively […]