| Anything is likely to be the subject of my drawings. I mix a conglomeration of different subject matter within the same space: global, local, political, cultural, swine flu, economic crisis, Europe, morning coffee, surveillance society, East-West, war on terror, universal health care. My art combines cartoons, graffiti, and art brut. Humor, irony, and cultural references can be found in my drawings. All details are evident. The line is basic. There is no cynicism, only empathy. I draw. Here, there, everywhere. I do not pick favorites; every drawing is important. Big museums are the same as to me as small artist-run spaces. I find every city interesting. I go everywhere and draw them all. I compose a free-style drawing installation within the frame of an institution…. |  |
Dan Perjovschi
Anything is likely to be the subject of my drawings. I mix a conglomeration of different subject matter within the same space: global, local, political, cultural, swine flu, economic crisis, Europe, morning coffee, surveillance society, East-West, war on terror, universal health care.
My art combines cartoons, graffiti, and art brut. Humor, irony, and cultural references can be found in my drawings. All details are evident. The line is basic. There is no cynicism, only empathy.
I draw. Here, there, everywhere. I do not pick favorites; every drawing is important. Big museums are the same as to me as small artist-run spaces. I find every city interesting. I go everywhere and draw them all.
I compose a free-style drawing installation within the frame of an institution (museum, art space, newspaper, art magazine). My projects are unique and in the same time retrospectives. I redraw my drawings. I invent new ones. I improvise, like jazz, creating with spontaneity.
I celebrate every space I have, (rooms, walls, floors, windows, stairs, lobbies, facades, fences) as a platform for freedom of expression, intellectual approach, and criticism. I am a researcher, a reporter, and an artist.
