Tag Archives: Critique No. 357

R.H. Quaytman’s Dalet with Museum Abeitberg

Daughter of a postmodern poet and an abstract painter, Quaytman knows how she wants to operate within the structure of art history. Dalet is an artists book of her work published by Published by Museum Abeitberg. Cryptically named after a Hebrew letter that sometimes operates as a non-sacred stand in for the Jewish names of […]

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