• Painting As Paradox @ Artists Space – by NY Arts

    Date posted: April 25, 2006 Author: jolanta
    Simon Aldridge, Ellen Altfest, Augusto Arbizo, Jan Baracz, Roberto Bermejo, Sebastian Blanck, Mark Bradford, Monica Bradley, Jane Callister, Karlos Carcamo…

    Painting As Paradox @ Artists Space

    by NY Arts

    , Carolyn Carr, Jos� Le�n Cerrillo, Matt Chansky, Nayda Collazo-Llorens, Elizabeth Conlon, Claire Corey, Maria Cruz, Jay Davis, Andrea DeFlorio, Mary Doherty, Tim Doud, Carl Eckhoff, Benjamin Edwards, Judith Eisler, Karel Funk, Michael Gibson, Frantiska + Tim Gilman, Inaki Gracenea, Isca Greenfield-Sanders, Terry Haggerty, Perry Hall, Brad Hampton, Marc Handelman, Janice Handleman, Ellen Harvey, Millree Hughes, Minako Iwamura, Sunny Kim, Kieran Kinney, Carla Klein, Dorota Kolodziejczyk, Mara Korkola, Sze Tsung Leong, Evan Lintermans, Valentina Loi, Octavius Neveaux, David Nicholson, Odili Donald Odita, Graham Parks, Michael Phelan, Thomas Pihl, Seth Price, Nathaniel Quinn, Blake Rayne, Jessica Rohrer, Gabriela Schutz, James Sheehan, John Tremblay, Anton Vidokle, Kelley Walker, Darren Wardle, Kehinde Wiley, CarrieYamaoka, Gyoko Yoshida, Brenda Zlamany

    Painting As Paradox is an exercise in synthesizing the research of eclectic practices of young emerging artists grappling with various legacies of painting. Their work reflects a continual gesturing towards tradition and a concurrent redefinition of painting in contemporary terms. Examining the tendencies of artists trying to reconcile the contradictions and taboos of painting to date, not to mention its alleged disappearance and resurgence, this exhibition investigates the measures

    taken to maintain the medium’s relevance.

    Affected by the specter of both historical and contemporary precursors,

    the work represented in the exhibition also demonstrates the re-posturing

    of traditional genres within the lexicon of new technologies. This highly

    self-conscious interest in the status of painting, its production,

    reception, and circulation, has led to enormous activity. From digital

    painting, hybrid painting, non-painting, hyper-figurative painting, and

    beyond, it is evident that current artists are in effect initiating a

    collapse of categorization.

    In light of the current block-buster exhibitions such as Urgent Painting

    at the Musee d’Art Moderne de la Ville de Paris or Painting at the Edge of

    the World, Walker Art Center, Painting As Paradox does not intend to

    compete as a survey of present movements in art making. Rather, the

    exhibition focuses on over fifty emerging artists whose work reveals

    contradictions within individual practices, as well as exposing the visual

    and conceptual tensions between disparate contemporaneous productions.

    Hung salon-style to reflect the sheer proliferation of contrary practices

    engaging with painting in literal or negational terms, and to illustrate

    the maintenance, yet eruption of traditional genres, the task of this

    exhibition is to represent, not to reconcile, disparate levels of

    production in a condensed space.

    A catalogue is available upon request.

    Installation view: 1. Valentina Loi, Boy; 2. Mara Korkola, No Place 38; 3.

    Maria Cruz, Untitled; 4. Maria Cruz, Southwest Breeze; 5. Augusto Arbizo,

    Forest I; Augusto Arbizo, Forest II; 6. Dorota Kolodziejczyk, All of the

    Above; 7. Jane Callister, Liquid Landscape; 8. Ellen Altfest, The Brook;

    9. Blake Rayne, Untitled; 10. Odili Donald Odita, Shockwave; 11. Millree

    Hughes, Krill; 12. Michael Phelan, Floating Castle; 13. John

    Tremblay,(Molten Rock) Magma (Asphalt Rundown); 14. Jane Callister, Liquid

    Landslide; 15. Michael Phelan, Autumn Maples; 16. Michael Phelan, Spring’s

    Here; 17. Graham Parks, the division

    Painting As Paradox

    Curated by Lauri Firstenberg

    November 7 —December 21, 2002

    Artists Space

    38 Greene Street, 3rd Floor

    New York, NY 10013

    T.212.226.3970 Ext. 27

    F.212.966.1434

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