• Norman Mooney

      Tuesday, 21 August 2012 18:35

        Norman makes sculpture, interior and exterior installations, drawings and works on paper, his methodology is one of experimentation and process with materials such as smoke, glass, steel and resin. Norman makes works that are at once physical and metaphysical. His works explore the elemental and cyclical synergies of nature. Materiality, pattern, scale and experience […]

    • Mernet Larsen

      Tuesday, 21 August 2012 18:32

        “I try to evoke a sense of permanence, solidity, weight: time stopped, essences of ordinary events made tangible.” “I try to evoke a sense of permanence, solidity, weight: time stopped, essences of ordinary events made tangible. As if I were leaving this life and had to take with me only a few very concrete […]

    • Colin Keefe

      Tuesday, 21 August 2012 18:20

        “My work explores the medium of photography and its relationship to drawings, sculpture and installation.“ I’ve been working on a series of pen and ink drawings that explore methods for breeding urban environments using organic models, multicellular organisms‚ reproductive and propulsion strategies, as well as pollination methods employed by plants. The resulting images depict […]

    • Tenesh Webber

      Tuesday, 21 August 2012 18:17

        “My work explores the medium of photography and its relationship to drawings, sculpture and installation.“ “I make abstract photographic images, through traditional and non-traditional photographic processes, including solarization, negative layering, shooting moving objects, and making photograms. My work explores the medium of photography and its relationship to drawings, sculpture and installation.” www.teneshwebber.com/

    • Chun Kwang Young

      Tuesday, 21 August 2012 18:13

        “I always had a desire to communicate my art through a Korean sentiment” “When I was young, I was a sickly child, and my mother used to take me to the Chinese medicine doctor in the neighborhood…I remember that numerous packages of mulberry paper were hanging from the ceiling, each holding a name card […]

    • Rob Carter

      Tuesday, 21 August 2012 18:09

        Rob Carter uses photography, stop-motion animation, and time-lapse video to spotlight buildings and their shifting political and historical significance. Rob Carter uses photography, stop-motion animation, and time-lapse video to spotlight buildings and their shifting political and historical significance. Architectural themes and histories are invented or modified using physically cut-up and digitally manipulated photographic images […]

    • Aleksandar Duravcevic

      Tuesday, 21 August 2012 17:34

        Aleksandar Duravcevic was born in Montenegro in 1970.  He currently lives and works in Brooklyn, New York and is an Associate Professor for the MFA program at Hunter College. Aleksandar Duravcevic was born in Montenegro in 1970.  He currently lives and works in Brooklyn, New York and is an Associate Professor for the MFA […]

    • Greg Allen-Muller

      Tuesday, 21 August 2012 17:30

        From his Williamsburg-based studio, artist Greg Allen-Muller is playing with the struggle between man’s desire to create straight lines in the world, and nature’s power to destroy them. From his Williamsburg-based studio, artist Greg Allen-Muller is playing with the struggle between man’s desire to create straight lines in the world, and nature’s power to […]

    • Jason Gringler

      Tuesday, 21 August 2012 17:09

        Jason Gringler uses Plexiglas as a starting point for building on the history of abstraction,and although abstraction is a relatively young form, it is still burdened by the historic weight of painting, classical or otherwise. My current practice is based on the limitations of specific materials. I use Plexiglas as a starting point for building […]

    • Brigitte Kowanz

      Tuesday, 21 August 2012 16:07

        From the outset, light was Brigitte Kowanz’s artistic means of achieving both transgression and precision. From the outset, light was Brigitte Kowanz’s artistic means of achieving both transgression and precision. She needed to transcend a conventional approach to images and painting so as to precisely define a new and integrative relationship between work, space, […]