• Amanda C. Mathis

      Monday, 10 September 2012 16:59

        My installations are an investigation of architecture and its role in modern society. “My installations are an investigation of architecture and its role in modern society. Through these projects, I am able to observe how today’s consumerist culture affects dwelling and, in turn, is reflected in architecture. With each piece, I gain an understanding […]

    • Martin O’Brien

      Monday, 10 September 2012 16:53

        Martin O’Brien’s practice focuses on physical endurance and excess in relation to the fact he suffers from Cystic Fibrosis… Martin O’Brien’s practice focuses on physical endurance and excess in relation to the fact he suffers from Cystic Fibrosis; a severe chronic disease in which the body produces excess mucus that, amongst other things, works […]

    • Poppy Jackson

      Monday, 10 September 2012 16:49

        Jackson makes action-based works exploring transition and the crossing of thresholds. Jackson makes action-based works exploring transition and the crossing of thresholds. Boundaries of ‘interior’ and ‘exterior’ self are often blurred by the use of fluid mediums, such as paint, blood, medicine or river water, in conjunction with the female body. She is an […]

    • Benjamin Sebastian

      Monday, 10 September 2012 16:43

        I see everything I do as a process of assemblage/becoming. Sebastian’s practise is interdisciplinary. His processes and work actively interrogate various dialectic relationships; intimacy and solitude, security and vulnerability, logic and the irrational. He works primarily with the material of his body, paper, fire, found or reclaimed objects, to create assemblage and time based […]

    • Jenny Lynn McNutt

      Monday, 10 September 2012 16:34

        In Andalusia, Spain where I spent June, the sun stampedes across the desert floor and the rabbit sees itself everywhere in the cactus. “In Andalusia, Spain where I spent June, the sun stampedes across the desert floor and the rabbit sees itself everywhere in the cactus. Narcissus! The mountain Mojacar, “La Vieja”, site of an […]

    • Asuka Ohsawa

      Monday, 10 September 2012 16:28

          Asuka was born in Los Angeles, raised in Japan, educated in Boston, and currently lives and works in Brooklyn, NY.   Asuka was born in Los Angeles, raised in Japan, educated in Boston, and currently lives and works in Brooklyn, NY.  She received BFA degree in printmaking from California State University, Long Beach, […]

    • Beth Krebs

      Monday, 10 September 2012 16:24

        My installations, videos, and drawings ask people to notice where they are, and, with humor, to imagine what else might be possible there. “My installations, videos, and drawings ask people to notice where they are, and, with humor, to imagine what else might be possible there.  Often the architectural interruptions take the form of […]

    • Peter Hoffer

      Monday, 10 September 2012 16:19

        The surfaces of Peter Hoffer’s landscape and abstract paintings are coated with a highly reflective resin varnish. The surfaces of Peter Hoffer’s landscape and abstract paintings are coated with a highly reflective resin varnish. This material was chosen as a means to create tension between a painted surface and refined encapsulation. This packaging of […]

    • Carolanna Parlato

      Monday, 10 September 2012 16:12

        Intuition and chance are essential to my painting. “Intuition and chance are essential to my painting. I drip, smear, brush and pour viscous paint to create abstractions which are visual metaphors for fluidity. Nature’s forms and colors fascinate me. My paintings shimmer with movement and vibrant color. Toxic greens and acid yellows lifted from pop-culture fuse […]

    • Steven Alexander

      Monday, 10 September 2012 16:08

        My work explores relations that reside in the constant flux of pure sensory events. “My work explores relations that reside in the constant flux of pure sensory events. I am interested in the interaction between the painting and the viewer’s imagination, and in the painting’s potential to generate unspecified mobile meaning. Color operates in […]