• Ricardo Fernandez Alberti

      Wednesday, 30 August 2006 00:33

      Fernandez Alberti’s work is like an archive of symbols, moments and words that produce their own language.Combining elements of abstraction, expressionism, Fernandez Alberti’s work is like an archive of symbols, moments and words that produce their own language.Combining elements of abstraction, expressionism, figurative, minimal art, art brut or cartoons to produce an original and powerful […]

    • Bridget Busutil

      Tuesday, 29 August 2006 19:43

      This internationally educated artist has created a medium that evokes emotions both subtle and dramatic.  Her work is the interrelation of organic components sanctioning the psychological reception of nature. This internationally educated artist has created a medium that evokes emotions both subtle and dramatic.  Her work is the interrelation of organic components sanctioning the psychological […]

    • Cordell Taylor

      Tuesday, 29 August 2006 15:50

      The work of Cordell Taylor is deeply rooted in his personal ideal and philosophy. Through his work, Taylor constructs universal relations… The work of Cordell Taylor is deeply rooted in his personal ideal and philosophy. Through his work, Taylor constructs universal relations into personal statements about life, society, and culture. His works relate a sophisticated […]

    • Alejandro Thornton

      Tuesday, 29 August 2006 15:32

      "For me, Art has always been a way of apprehension of knowledge, of nom verbal reflection and communication with the world." "For me, Art has always been a way of apprehension of knowledge, of nom verbal reflection and communication with the world. " Thorton is concerned with the concept of the expression and the expressión […]

    • Gabriel Lester

      Tuesday, 29 August 2006 13:55

      “Gabriel Lester’s films and installations work from the inside out. They aim to propose dramatic tension and question the role of the spectator. “Gabriel Lester’s films and installations work from the inside out. They aim to propose dramatic tension and question the role of the spectator. These dramatic propositions are either implicitly narrative, explicitly visual […]

    • Michelle Blade

      Tuesday, 29 August 2006 13:32

      "Michelle Blade’s paintings, drawings and installations reference cultural narratives, surrealism, wives tales and the transitional stages between adolescence and adulthood." www.michelleblade.com

    • Manuela Facchin Varalda

      Monday, 28 August 2006 01:02

      Why painting? For the desire of a deep knowledge of things. Painting, for me, is not only communication, but almost an additional sense… Why painting? For the desire of a deep knowledge of things.Painting, for me, is not only communication, but almost an additional sense, a further perception of world, of the real and of […]

    • Clay Bodvin

      Monday, 28 August 2006 00:10

      By Clay Bodvin, from the Gridded-Room Series. A found, pre-composed interior – borrowed and appropriated from the historical museum-house culture and environment. Presented as the backdrop for a serial-pattern collage that By Clay Bodvin, from the Gridded-Room Series. A found, pre-composed interior – borrowed and appropriated from the historical museum-house culture and environment. Presented as […]

    • Chico Harkrader

      Sunday, 27 August 2006 23:05

      I examine the visually driven attributes of light & reflection,  Dimension & perspective, color & value, and form & movement. I examine the visually driven attributes of light & reflection, Dimension & perspective,color & value, and form & movement. My art may prompt an expanded emotion from the viewer. For example, the colors red and […]

    • Rich DiSilvio

      Saturday, 26 August 2006 16:55

      Perhaps most noted for his commercial art for music stars and fantasy/sci-fi book covers DiSilvio’s fine art projects offer even greater expression. Perhaps most noted for his commercial art for music stars and fantasy/sci-fi book covers DiSilvio’s fine art projects offer even greater expression. More often than not they incorporate some apparent or semi-obscure message, […]