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Provoking Hidden Intentions with Rocco Alberico – James Cavello
Monday, 19 June 2006 16:50Provoking Hidden Intentions with Rocco Alberico James Cavello Rocco Alberico, 25 Miles as the Crow Flies, (image inside 3D viewer), Mixed media with 3D viewer, 22″x5″x7″. The first time I viewed Rocco Alberico’s sculptureswas at the Broadway Gallery – I was intrigued by the multi-layered commentarieswithin his creative and thought […]
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Cells, Cells, Cellsââ¬Â¦ The Latest Works by Deniz Ayg�n – Selma Stern
Monday, 19 June 2006 16:32Cells, Cells, Cells… The Latest Works by Deniz Ayg�n Selma Stern Deniz Ayg�n, Two Beds in the Cell, (detail), 2003. 50 x 40, Oil on canvas. In Prison Wearily, drearily, Half the day long, Flap the great banners High over the stone; Strangely and eerily Sounds the wind’s song, Bending the banner-poles. While, […]
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The screaming hermit: Simone Terneldo – Stefano Pasquini
Monday, 19 June 2006 16:24The screaming hermit: Simone Terneldo Stefano Pasquini Simone Terneldo, Graphic rebels, 1967, mixed media on wood. Courtesy the artist � private collections, Bologna, Modena, Reggio, Sondrio (Italy). He took part in protests, he founded cultural associationsand magazines, he realized theatrical performances, organized conferences, hewrote. He painted. Simone Terneldo, […]
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Therese Nortvedt: Innocent Celebrity – Selma Stern
Monday, 19 June 2006 16:15Therese Nortvedt: Innocent Celebrity Selma Stern Therese Norvedt, Worldpool Pollock Fine Artstyle="mso-spacerun: yes"> in London is showing new works byTherese Nortvedt, one of Norway’s better-known artists. Her painterly skillseven decorate stamps in that Northern land, and her works are both in thecollections of the National Gallery in Oslo […]
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Sue Melikian Steinsieck. Overlapping and layers. – Rafael Samper
Monday, 19 June 2006 16:10Sue Melikian Steinsieck. Overlapping and layers.Rafael Samper Susan Melikian Steinsieck, The Sky is Crying, 2003, Mixed media. El paisaje interior y el exteriorse solapan en un territorio com�n. Unas veces con los ojos cerrados dirigimosla mirada hacia dentro y otras,dibujando, hacemos aflorar nuestropaisaje en forma de im�genes, para que adquieran un color mas vivo al […]
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Ter-Oganian: Exercises with Arts and Life – Dimitry Topolsky
Monday, 19 June 2006 16:00Ter-Oganian: Exercises with Arts and Life Dimitry Topolsky Avdei Ter-Oganian, Avdei Ter-Oganian, Exercise: Yves Klein, 2003. Courtesy Display Gallery, Prague style=’mso-fareast-language:EN-US’>Avdei Ter-Oganian’s artistic career waslaunched in 1988 with an exhibition mounted in a public toilet inRostov-on-Don, the artist’s native city in southern Russia. That show was apresentation of the Art […]
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Eastward Bound: Art in an Unlikely Place – Christina Vassallo
Monday, 19 June 2006 15:54Eastward Bound: Art in an Unlikely Place Christina Vassallo Johnston Foster, Untitled, 2003, color pencil and ink on paper, 11″ x 14″. Image courtesy of Rare Gallery. The New York City art scene isgrowing constantly. The escalatingcommercialization of the Manhattan gallery industry spawned an eastwardmovement beyond the institutionalized districts of […]
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The Crossroad that Points Both Back and Forwards – Thalia Vrachopoulos, Ph.D
Monday, 19 June 2006 15:40The Crossroad that Points Both Back and Forwards Thalia Vrachopoulos, Ph.D Sungho Choi, American Pie, 1996 At the Crossroad is a 20-artist show that opened this past October at theGallery Korea to celebrate the centennial of Korean immigration to the UnitedStates. Featuring artists working in and around New […]
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At Billyburg – Andres Jauregui
Monday, 19 June 2006 15:31At Billyburg Andres Jauregui Picture of Billyburg Theycall it “Billyburg”. Williamsburg, Brooklyn’s fabled treeless garden of hip, isnot as gray as one might expect. Toy–sized maples and green ginkgoes garnishthe ruddy urban fa�ade of brown, red and yellow brick. Almost every buildinghas a stoop. Television antennae spike the three and […]
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To Be Political It Doesnââ¬â¢t Have to Be Stereotypical – Ra�l Zamudio
Monday, 19 June 2006 15:22To Be Political It Doesn’t Have to Be Stereotypical Ra�l Zamudio TheodorAdorno once wrote that the effect of capitalism’s conversion of art into anindustry was the museum’s transformation into a mausoleum; that museumsconsequently became the sepulchers of art. However, Adorno’s observation ofcapitalism’s power should not have only been targeted […]



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