• Eureka Feels Strangely Like D�jà Vu – By Victoria N. Alexander

      Thursday, 22 June 2006 04:04

      Ukrainian-born Yelena Yemchuk has achieved no small success as a fine-art photographer Eureka Feels Strangely Like D�jà Vu By Victoria N. Alexander Yelena Yemchuk, "Dreamreader," works on paper Dactyl Foundation for the Arts & Humanities October 16 – November 30Ukrainian-born Yelena Yemchuk has achieved no small success as a fine-art photographer. Her work prefigures a […]

    • The Rise of the Second City: East Bay Curators Reclaim Style of the City Ho – By Petra Bibeau

      Thursday, 22 June 2006 04:02

      After decades of shadow dwelling, the East Bay emerges to ignite the Bay Area art scene like never before. The Rise of the Second City: East Bay Curators Reclaim Style of the City Ho By Petra Bibeau The Rise of the Second City: East Bay Curators Reclaim Style of the City Ho By Petra BibeauEric […]

    • Rider Project 2004 – By Aaron Zimmerman

      Thursday, 22 June 2006 03:59

      Chelsea is so institutionalized it’s scary. All the shows have this whitebred, polished, superficiality that is all image and no ingenuity, all slickness and no soul. Rider Project 2004 By Aaron Zimmerman Rider Gallery, interior view.Chelsea is so institutionalized it’s scary. All the shows have this whitebred, polished, superficiality that is all image and no […]

    • Not a Soul in Sight – By Christina Vassallo

      Thursday, 22 June 2006 03:55

      Oh, but you will, the first solo show of painter Echo Eggebrecht, was on display recently at the new Chelsea location of Sixtyseven Gallery. Not a Soul in Sight By Christina Vassallo Echo Eggebrecht, Totem, acrylic on panel, 18 x 24 inches, courtesy Sixtyseven Gallery Oh, but you will, the first solo show of painter […]

    • “Mirror, Mirror…” – By Morgan Schulman

      Thursday, 22 June 2006 03:53

      My first aesthetic impression of Yuliya Lanina’s current show was how the bold colors of her drawings, rich reds, oranges, yellows and blues, seemed to further illuminate the corporal forms attached to the utilitarian walls of the Williamsburg Art Nexus Gallery. "Mirror, Mirror…" By Morgan Schulman "Mirror, Mirror…"My first aesthetic impression of Yuliya Lanina’s current […]

    • WINTER PICKS – By Christopher Chambers

      Thursday, 22 June 2006 03:51

      All in all, the fall season was pretty lackluster this year, but as the weather gets colder the art season seems to be heating up a bit: WINTER PICKS By Christopher Chambers Adam Hurwitz, Pack, 2004 Oil on Linen 36"x72"All in all, the fall season was pretty lackluster this year, but as the weather gets […]

    • Fragile Syntheses – By Hilary Sample

      Thursday, 22 June 2006 03:49

      In their latest video and photographic installation "Erehwon", taking its title and location from Samuel Butler’s satirical novel set in New Zealand, the Wilsons nest subjects of behavioral codes and medical praxes from the early twentieth century as forms of social control. Fragile Syntheses By Hilary Sample In their latest video and photographic installation "Erehwon", […]

    • The UK’s Sculptural Newcomers – By Selma Stern

      Thursday, 22 June 2006 03:47

      Founded in 1904 and under royal patronage since 1911, London’s Royal British Society of Sculptors (RBS) is made up of a thriving mix of members ranging from artists at the top of their profession to those at the start of their careers. The UK’s Sculptural Newcomers By Selma Stern Tine Bech, Floating, 2003, reactive robotic […]

    • Reconstructed as Sights and Sounds of a Modern day Weaver – Cris Worley

      Thursday, 22 June 2006 03:44

      What inspires Dallas-based artist, Rusty Scruby, is only a fraction of his highly complex, engineering-based process of creating. Reconstructed–Sights and Sounds of a Modern-day Weaver By Cris Worley Rusty Scruby’s technique of photographic weaving is apparent in this rear, construction view of his Railroad Crossing, 2004, reconstructed ink jet print, 20 x 14 x 3 […]

    • ALTMEJD, KUSAMA, KOSUTH, AND KRUGER – By John Perreault

      Thursday, 22 June 2006 03:42

      I first saw David Altmejd’s work in the last Whitney Biennial. ALTMEJD, KUSAMA, KOSUTH, AND KRUGER By John Perreault David Altmejd, The University 2 Courtesy Andrea Rosen Gallery A Werewolf in Brooklyn I first saw David Altmejd’s work in the last Whitney Biennial. In my Artopia essay I gave his Delicate Men in Positions of […]