• Going Digital

      Monday, 29 September 2008 15:49

      The channels through which photography finds its way to the buyers are still highly traditional. Original prints are mainly sold through galleries. But since new media channels, particularly the Internet, are gaining increasing importance in all sectors of the economy, including the fine art market, there is no reason why the trading of artworks through […]

    • Don’t Worry Baby

      Monday, 29 September 2008 15:11

      My youngest sister was born when I was 13 years old. It was a few months before the sex education program started at school, and I had no knowledge about sex. Friends made fun of my parents for having a baby, and that was really confusing for me. I respect my parents. They were very […]

    • The Will of an Artist

      Friday, 26 September 2008 15:18

      Leah Oates: You have an upcoming solo show at Charles Cowles Gallery in June. Can you give us a preview of what you will be showing, and, since this is a big show for any artist, tell us how you are preparing mentally? Pepe Villegas: I met Charles Cowles almost a decade ago through mutual artist friends, […]

    • Editing Nature

      Friday, 26 September 2008 14:46

      Leah Oates: When did you know you were an artist, and how did you develop as an artist? Sebastian Lemm: It was a very gradual process. Growing up, I never really considered being an artist, although I’ve always had a desire for creative freedom. It took me a while to figure out how to best […]

    • Stages of Rapture

      Friday, 26 September 2008 13:51

      Rupture, Part One, aims to portray the situation that arises when things break down: when the routine of life pauses and the door is opened for basic, unmediated humanity to step and replace the automata of contemporary rigor. Such moments are inflections on how we function on a most basic level, without the societal and […]

    • Theory of Open Flux

      Thursday, 25 September 2008 15:50

      I am an open flux artist. The following attributes that are the target of my creations are the things, I believe, all the contemporary artists who can’t refrain from creating with concern and responsibility should have. To witness “the essence of time” (zeitgeist) once again, that is to be more adverse and radical on this […]

    • A Universal Italian

      Thursday, 25 September 2008 15:00

      There lives within me an insatiable appetite to squeeze from every fragment, a universe. That’s probably the exaggeration factor in all Italians, or all of Latin for that sake. We enjoy amplifying mundane issues and converting them into seemingly life-changing happenings, and what’s worse, we believe them to be universally significant. I take possession of […]

    • A Meditation on Art

      Thursday, 25 September 2008 14:45

      It seems, and this could be already the age, that my motivation to make art is getting more and more simple. At the current moment I could describe my work just as writing a diary before I go to sleep. I don’t care too much about the trends or preferred medias that current fashion dictates, […]

    • An Earful of Art

      Wednesday, 24 September 2008 15:31

      As a musician, I am interested in the sensual nature of sound, its power of synchronization, coordination, release, and change. Hearing represents the primary sense organ—hearing happens involuntarily. Our ears are always receiving, whether or not we are aware of it. Listening is a voluntary process that occurs after the process of hearing takes place. […]

    • The Art of the Animal Instinct

      Wednesday, 24 September 2008 15:25

      Ohad Fishof: In many of your works you are using the voice to initiate a process of other species’ embodiment. Can you talk a little bit about that? What is it about the voice that makes it such am efficient “empathy machine?” Marcus Coates: The physical position is an obvious and undeniable starting point from […]