• Japan’s Angry Little Girls, Yoshitomo Nara’s Angry Little Girls – Chelsea Schieder

      Saturday, 24 June 2006 01:48

      "The classroom is a sea of blood…" was the only way the teacher could explain the scene to which one of her little students had led her. That was after the girl had burst in upon her sixth-grade class as they were eating lunch. Drenched in red she announced: "The blood is not mine." Japan’s […]

    • The Interplay of Time and Space: Katsura Okada – Ed Weinberg

      Saturday, 24 June 2006 01:45

      As I walked on 25th Street in the direction of the A.I.R. Gallery where Katsura Okada was exhibiting her latest works, I saw a billboard on a breezeway about 30 feet above my head. The text printed on it, credited to Patrick Mimran, read, "A good work of art is something that gives you goose […]

    • Looking Backward – Pedrag Pajdic

      Saturday, 24 June 2006 01:43

      Using sound, installation, video and photography, the exhibition Minority Reportby I set out to explore and reconstruct the reasons for my departure from the former Yugoslavia in the 80s. In addition, it investigates why I decided to immigrate and assemble my new home in the UK. Looking Backward Pedrag Pajdic Predrag Pajdic, Reality Check No1, […]

    • The F-Word: Female Art in Ambivalent Times – Samantha Culp

      Saturday, 24 June 2006 01:41

      When asked if she is a feminist, Hong Kong painter Au Hoi Lam replies with a prompt "No," and explains that she would rather not "advertise" herself as a woman or a man. Her answer is characteristic of most young female artists today, who want their art to speak for itself without the weight of […]

    • KATHARINA SIEVERDING: IRRESISTABLE HISTORICAL CURRENT (#3) – By Horace Brockington

      Saturday, 24 June 2006 00:55

      The late 90’s work, which anticipates the large installation "Metamorphosis of Evolution" in the 2002, finds Sieverding exploring technical and scientific imagery including x-rays, computer scans and detailed pictures from genetic research. KATHARINA SIEVERDING: IRRESISTABLE HISTORICAL CURRENT (#3) By Horace Brockington The late 90’s work, which anticipates the large installation "Metamorphosis of Evolution" in the […]

    • KATHARINA SIEVERDING: IRRESISTABLE HISTORICAL CURRENT (#2) – By Horace Brockington

      Saturday, 24 June 2006 00:49

      In her early works the extended self-portraits of her face filing the frame —close to the lens, eyes staring directly into the camera proposed implication for the viewers. KATHARINA SIEVERDING: IRRESISTABLE HISTORICAL CURRENT (#2) By Horace Brockington In her early works the extended self-portraits of her face filing the frame —close to the lens, eyes […]

    • KATHARINA SIEVERDING: IRRESISTABLE HISTORICAL CURRENT (#1) – By Horace Brockington

      Saturday, 24 June 2006 00:46

      For over three decades the Berlin-Dusseldorf based artist Katharina Sieverding (born 1944 in Prague) has created an iconoclastic body of works that have had profound affects on succeeding generations of younger artists. KATHARINA SIEVERDING: IRRESISTABLE HISTORICAL CURRENT (#1) By Horace Brockington   “Transformer,” 1973. Solarization 2 A/B. Courtesy of Thomas Schulte     For over […]

    • Ken Rinaldo and Emotional Computing (#3) – By Roberta Alvarenga

      Saturday, 24 June 2006 00:39

      Do I feel there is a danger to creating automatons that allow helpful prosocial manifestations? Ken Rinaldo and Emotional Computing (#3) By Roberta Alvarenga Do I feel there is a danger to creating automatons that allow helpful prosocial manifestations? Certainly not. This is part of our symbiosis with our intelligent machines. A helper robot that […]

    • Ken Rinaldo and Emotional Computing (#2) – By Roberta Alvarenga

      Saturday, 24 June 2006 00:33

      In studying contemporary media arts I had become more interested in artists that critically engage the use and implications of technology within sociopolitical system, such as Rafael Lozanno Hemmer, Simon Penny and Lynne Hershman Leeson. Ken Rinaldo and Emotional Computing (#2) By Roberta Alvarenga In studying contemporary media arts I had become more interested in […]

    • Ken Rinaldo and Emotional Computing (#1) – By Roberta Alvarenga

      Saturday, 24 June 2006 00:27

      In the past, concepts of artificial life robotics and notions of symbiosis between biological systems and technological systems have primarily been confined to the dialogues of research scientists. Ken Rinaldo and Emotional Computing (#1) By Roberta Alvarenga Mediated Encounters close up (1996) robotic fish sculptures by Ken Rinaldo In the past, concepts of artificial life […]