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Surreal Servitude: Sandra Scolnik at the CRG gallery – Jason Murison
Saturday, 24 June 2006 10:46From the pages of Juxtapoz to galleries up and down the West 20s, there are a glut of surrealist image-makers out there at the moment. But Sandra Scolnik stands out. She appropriates classic surrealist images and strips them down, separating the fantasy image from its romantic baggage. Her paintings are visual equivalents of hypnosis used […]
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Travelling In Shanghai Without Moving… – Aurelie Duval
Saturday, 24 June 2006 10:45In May, Beijing is the center of activity for the Chinese art scene, with the openings of the annual Dashanzi International Art Festival (DIAF) and the China International Gallery Exposition (CIGE). For those who stay in Shanghai there are two opportunities to keep their eyes opened. Travelling In Shanghai Without Moving… Aurelie Duval Leaflet for […]
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A Guardian in Underpants: Chinatsu Ban’s friendly elephants stampede New York – Dorit Cohen
Saturday, 24 June 2006 10:43When Chinatsu Ban paints schoolgirls in their underpants they look like little Japanese dolls that lost their Kimonos. Ban is not preoccupied with the Japanese Lolita cult like Aya Takano, who paints overtly sexual girls in underpants. Mostly, Ban puts underpants on elephants instead. But she is still occupied with cuteness and youth, and what […]
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The Way In and The Way Out: At the Nomadic Museum – Barbara Rosenthal
Saturday, 24 June 2006 10:41Entering a vast, soaring, controlled space, quietly lit by warm rectangular spotlights and focused by eastern music, we feel our blood pressure lower, mood relax, judgment cease. We walk a colonnaded wooden aisle past suspended, uncluttered sepia photographs of closed-eyed, adolescent Buddhist monks leaning gently against kneeling, untethered elephants. Girls swathed in white Indian fabrics […]
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The New Pop Art: Culture Vultures – Leah Oates
Saturday, 24 June 2006 10:39"Culture Vulture" is a diverse group show that highlights art that employs popular culture as a visual starting point. Each artist in the show utilizes current and familiar visual symbols–appropriating them, toying with them, and reinventing them–though some do this with more originality than others. The curatorial statement includes a quote from Carl Andre that […]
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The First Sculpture Park, Ho Chi Minh City, Vietnam. – Nguyen Bao Ngoc
Saturday, 24 June 2006 10:37� Organized by the Ministry of Culture and Information, Gia Ding Park, Ho Chi Minh City, has for the first time hosted a sculpture residency and exhibition. On this occasion the event is to celebrate the 30th anniversary of the liberation of Saigon and the reunification of Vietnam. As many as 40 artists were invited […]
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Prime Time War – James Kalm
Saturday, 24 June 2006 10:34War is business, show business. Last night I watched a rented copy of Gettysberg, the epic Civil War drama. I was amazed to see that, even when the opposing armies were both on the verge of collapse, desperately low on food and ammunition, they always had their fife and drum corps-uniformed in flashy outfits, pennants […]
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In Like Kin – Shane Phelps
Saturday, 24 June 2006 10:33Gallery Kin turns out to be portable, a concept rather than a space. After the interest generated by their underground "SHOW1," the three founders went overground and used "SHOW2" to initiate a new gallery in Lisbon, "Terceira Andar." Although not artistically bound, these three artists exhibit a certain commonality: they share a distaste for the […]
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Dancing Minstrels on the Scene – Claudia Albertini
Saturday, 24 June 2006 10:31For those not very familiar with the Chinese new documentary movement, the director Wu Wenguang-known as the leading figure of the Urban Generation of filmmakers, and spokesperson for the ‘on location’ aesthetic-is the eye behind the camera that is creatively coordinating avant-garde dance performances at one of the largest contemporary arts events in Beijing, the […]
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Absence Performing: In-Between Too Much Order and Too Much Chaos – Beatrice Leanza
Saturday, 24 June 2006 10:28With von Neumann’s "Theory of Automata" (brought than to public fruition as AI) popularization in the mid-50s, the very last distance resisting human conceptual boundaries had been covered. And with phusis and techn� (natural and artificial) being swallowed up into the same complexity of the evolutionary process, a third category of discursive practice has opened […]