• Domestic Residue – Luis Martinez

      Friday, 30 June 2006 19:00

      Subdivision Art Gallery in Long Island City, NY, celebrated its first year through a group show called "Domestic Residue." David Melrose’s installation has both inspired and lent its title to the show. His piece–a recognizably modern structure in a cross-section view–provokes insight into the inner workings of the larger structures that we now call "home." […]

    • The Saddest Place on Earth – Steven Psyllos

      Friday, 30 June 2006 18:43

      Last Gulp Publishing and Grand Central Press present The Saddest Place on Earth, a retrospective of the past five years of Camille Rose Garcia’s work. Her unique style uses luscious color compositions and a heavy lean on the narrative to really pack a punch. The characters she creates are Ed Gorey meets Warner Bros. meets […]

    • The Spectacle of Today – Candice Madey

      Friday, 30 June 2006 18:33

      The spectacle of today’s media is dominated by imagery of war and celebrity. The most subversive images might include such atrocities as a photograph of Drew Barrymore without her make-up, stripped of her red carpet status. Truly subversive and grotesque images of war rarely exist (of the Thomas Hirschhorn vein) because, although freedom of speech […]

    • The Dream of Reason Brings Forth a Monster – Tim S. Brown

      Friday, 30 June 2006 18:29

      Voltaire took great pleasure in building straw men from the excessive personalities on parade during his time. He would stand the straw men on their heads and with barbed wit cut to ribbons their self-serving and simple visions of the world. With that same skill he dissected the clowns posing as royals. He displayed their […]

    • Rolling Heads: Chinese Woodcuts and Paintings in Berlin – Tina Kesting

      Friday, 30 June 2006 18:11

      In 1993, the Chinese artist Fang Lijun was first shown in Berlin as a participant in the group exhibition "China Avant-Garde" where he presented his flashy colourful paintings. Fang who represents modern China with his works was back in town with a solo exhibition of his woodcuts and drawings at the Kupferstichkabinett Berlin Museum of […]

    • Post-Surreal Art Tango in Buenos Aires – Valery Oisteanu

      Friday, 30 June 2006 17:55

      The inhabitants of Buenos Aires are called portenos and they refer to their city as the Big Apple. The similarities with the north-east Big Apple do not end there. Like New York, Buenos Aires is a checkerboard of neighborhoods. The city has 22 barrios. The biggest is Palermo, home to J.L. Borges, which is subdivided […]

    • Little Women – Curator James Kalm

      Friday, 30 June 2006 17:43

      It all started with the "Big Bang." That was a big deal, and now we’re all trying to see the "Big Picture." Seems whichever way we turn today we’re confronted with "bigness." "Bigger is better" became the macho credo for artists in New York with the ascension of Abstract Expressionism. Little Women Curator James Kalm […]

    • Revelation? – Stephen Gosling

      Friday, 30 June 2006 16:38

      The progression of Modern British Art through the past 25 years is something to celebrate, no? Well, I thought so, but upon viewing the exhibition "Revelation: Reflecting British Art in the Arts Council Collection" at Salford’s the Lowry Gallery, it would appear as if I was the only one who thought there was cause for […]

    • A Little Goes a Long Way – E.K. Clark

      Friday, 30 June 2006 16:32

      Lars Fisk’s second solo show at Taxter and Spengemann, a laconic presentation, consists of just three pieces but like a young gladiator just beginning to flex his muscles, he delivers a powerful punch. Trashcan is the most arresting piece here. What looks like a life-sized slightly dented garbage pail turns out to be meticulously carved […]

    • The Marriage of Reason and Squalor – Paul Werner

      Friday, 30 June 2006 16:25

      A few years back a friend and I decided to look up the Ä–cole Freudienne de Paris, the group founded by the great psychoanalytic thinker Jacques Lacan to carry on his work. We ended up as winter night fell on a silent, gray Parisian street with a series of unmarked doors stretching into the fog. […]