• The Best of Friends – D. Dominick Lombardi

      Wednesday, 3 January 2007 16:57

      Gallery director Jonathan Shorr tells me that all of these most recent works by Selma Hafizovic on display in his gallery were inspired by one work, THE BEST OF FRIENDS. Depicted in this oil on canvas are two dark, gray heads closely tucked together. They appear to be emoting, whispering their most intimate thoughts to […]

    • Melanie Pullen

      Tuesday, 2 January 2007 17:52

      Melanie Pullen’s collection of more than 100 photographs that comprise “High Fashion Crime Scenes” is based on vintage crime scene images that she mined from the files of the Los Angeles Police Department, the County Coroner’s Office and other primary sources. Drawn to the rich details and compelling stories preserved in the criminal records, she […]

    • Lou Laurita

      Tuesday, 2 January 2007 17:48

      Anyone who has seen dialogue emerge from the writing on a bathroom wall understands our ability to respond and react to language and its implications. We assimilate a huge amount of information daily—that information comes in many forms. Sound bites, song lyrics, advertisements, blogs, profiles, overheard conversations, the media, etc. This deluge of information serves […]

    • Resurrecting Fase – Andrzej Lawn

      Tuesday, 2 January 2007 17:38

      Seven years since its last production, Anne Teresa De Keersmaeker’s Fase: Four Movements on the Music of Steve Reich, has been resurrected just in time for the 70th birthday celebrations of American composer Steve Reich. Shown as a limited engagement at the Brooklyn Academy of Music, Fase was inspired by Reich’s early experimental musical compositions […]

    • Chris Soria

      Friday, 29 December 2006 17:19

      What we experience in the moment is ultimately possessed by superior tides of an invisible captor. The present is repeatedly handed over to the past, as a fossil of memory, and traded for a future of intangible predictions and expectations. The moment, now, is an opaque curtain that conceals the appearance of history. Behind its […]

    • Joe Diebes

      Friday, 29 December 2006 17:15

      Accepted. Breathing. Every element breathing at its own rate, not tied into a master regulator. All sounds, images, objects and people breathing according to their own rhythms. Cacophony. Having more going on than can be taken in at once, allowing infinite points of entry. Not to be confused with noise, as cacophony’s proper use requires […]

    • The Gymnastics of Space – Anna Jackson

      Friday, 29 December 2006 17:10

      Assuming the methodologies of construction workers, Alicia Frankovich cobbles together a critique of objects and familiar sites that refer to an architectural site of daily living. Her installations include shonky remakes of Gymnastic apparatus and examine spatial boundaries and the way in which we interact with designated spaces. Frankovich takes on diverse roles within the […]

    • Picks for January/February, 2007 – Christopher Chambers

      Thursday, 28 December 2006 17:42

      Several years ago I was hired to curate an exhibition of black female artists. I rolled my eyes and coined it, “The Soul Sisters Show,” which infuriated the sponsor, who was also my best friend, my roommate and a black man. So, I made an appointment at the Kenkeleba House to peruse their slide banks […]

    • Welcome To My Dollhouse – Aldo Sánchez

      Thursday, 28 December 2006 17:36

      In the summer of 2006, Cecilia Jurado turned a mini space in Tribeca into a dollhouse. Formerly, this space was an entrance to a building, which gentrification had transformed into a black hole. After renting the space for two and a half years and conceptualizing this project, in 2006 “Welcome to my Dollhouse” was finally […]

    • Fractal Reactor: Recreating the Sun – Mary Lee Grisanti

      Thursday, 28 December 2006 17:30

      When you enter the Ronald Feldman Gallery to see Todd Siler’s “Fractal Reactor: Recreating the Sun,” you are immediately pulled into two directions. One is toward the roiling blast of fiery images on the wall facing you—and the other is to the story of those images, mounted on the wall next to you. That story […]