• MoveOpolis! Returns Image to its Origins – Lisa Paul Streitfeld

      Monday, 19 February 2007 17:55

      MoveOpolis dancers frequently look and gesture upward as if paying homage to an unnamed deity. This icon emerged in an astonishing winter program at Dance Theater Workshop in which Richard Move’s earlier works are revisioned through the eye of a virtuoso collaboration, Towards the Delights of the Exquisite Corpse. The transformation breaks new ground for […]

    • Charmed – Allison Unruh

      Monday, 19 February 2007 17:51

      Karen Kilimnik’s works flirt with different historical styles through loosely daubed paint and suggestive props—yet the rococo-tinged notion of charm found a fresh incarnation in her recent exhibition at the 303 Gallery in Chelsea. The Bluebird in the Folly, one of two installations that punctuated the gathering of intimately scaled paintings and drawings, is a […]

    • Neil Whitacre

      Friday, 16 February 2007 17:49

      I am in love with the swamp. The city is so different, that it is a challenge to reconcile that they might inhabit the same reality. In drawing, I try to take people to a place where they never go—or hardly ever get to go. But then it seems this is the purpose of a […]

    • Old Tricks and New Obsessions: Yayoi Kusama at Robert Miller Gallery – Kalliopi Minioudaki

      Friday, 16 February 2007 17:31

      “Fun” is the “therapeutic reward of art” that Yayoi Kusama has finally reaped, according to one critic. In this sense, the trajectory of Kusama’s oeuvre echoes that of Niki de Saint Phalle. Childhood suffering and/or illness as well as art as therapy remain essential elements of both artists’ deft mythmaking, while their passage from aggression […]

    • Fashion Spread Chic – Mitra Abbaspour

      Friday, 16 February 2007 17:18

      Critics writing about the work of Shirana Shahbazi often insist on interpreting it through the lens of her diasporic identity. Shahbazi was born in Tehran, studied photography in Dortmund and lives in Zurich, while the subjects of her photographic series stem from locations as diverse as Iran, China, USA, Mexico, Lebanon, Zimbabwe, Switzerland, Germany and […]

    • Robert Pruitt: Quiet As Kept – Jillian Steinhauer

      Tuesday, 13 February 2007 17:42

      In his latest show at Clementine Gallery, Robert Pruitt leaves all traces of bling behind. Foregoing rhinestones for conté crayons and handguns for butcher paper, Pruitt chooses the appropriately quieter path of drawing for his exploration of African-American secrets. The secrets appear in the form of traditional African garments worn by Pruitt’s models (friends from […]

    • March/April Picks – Christopher Chambers

      Tuesday, 13 February 2007 17:38

      I like receiving art invitations in the mail. Postcards are best because you don’t have to open them—and on the other end, they’re less expensive to mail than envelopes. Sometimes I play games with the invites, games that you can’t play with e-mail invites. I mean, once in a while I print out a press […]

    • Lance Dehné. Honestidad, Verdad – Christian Parra-Duhalde

      Tuesday, 13 February 2007 17:34

      En una línea opuesta a la espectacuralidad que se anuncia éxito –y que tanto daño ha hecho a la comprensión pública del arte- el estadounidense Lance Dehné planteó en Valencia una posible concentración de la mirada a partir de pequeños formatos contenedores de universos que hacen del exterior visual un interior desnudamente intimista.Centrado en la […]

    • Like Mother, Like Daughter – Natasha Papadopoulou

      Monday, 12 February 2007 14:24

            This is a series of self-portraits with my family members, a project I have been working on for a couple of years. With this series, I want to express love, unity and self-awareness through the bridging of generations. We live in a fast-evolving time, and I find it very important to always […]

    • Trenton Doyle Hancock

      Monday, 12 February 2007 13:35

      I am a painter, but I have roots in comics and illustration. I decided at some point that I needed to merge these modes of expression into one hybrid form. Since I want to make paintings and drawings of a linear, serial nature, I have created recurring characters and adapted the narrative format of the […]