Author Archives: jolanta
Grimanesa Amoros
Grimanesa Amorós is an interdisciplinary artist with diverse interests in the fields of social history, scientific research and critical theory, Amorós utilizes her art as an agent for empowerment to involve viewers from all different backgrounds and communities. She is an American, born in Lima, Peru and currently living and working in New York City. […]
McCallum and Tarry at Marvelli Gallery – By Erin M. Scime
According to the City of Seattle, there are an estimated 2000 homeless youth aged twelve to twenty-four wandering in King County on an average night. With a somewhat hospitable year-round climate, strong activist community and a steady supply of heroin, the network of homeless individuals in the Northwest has become a vibrant example of a […]
Sons & Lumi̬res: A History of Sound in 20th Century Art at the Centre Pompi РBy Enrico Pedrini
History is the subject of a major exhibition at the Centre Pompidou, entitled "Sons et Lumières." The exhibition’s structure is not conditioned by the marketplace of art, but is guided by the historical chronology of events that define an evolution of artistic themes. "Sons et Lumières" examines the interaction between music and the plastic arts […]
Hanging Interpretations – By Beata Patricia Pac
Drawing is one of the most sensitive mediums. Hanging Interpretations By Beata Patricia Pac Anna Socha VanMatre, In Time In Between – Smoke, 2003-2004, 7 panel installation, graphite/pastel/synthetic paper, 200×110 in. Drawing is one of the most sensitive mediums. It directly reflects the artist’s emotions and gestures through connecting the artist to the work without […]
Hanging Interpretations – By Beata Patricia Pac
Drawing is one of the most sensitive mediums. Hanging Interpretations By Beata Patricia Pac Anna Socha VanMatre, In Time In Between – Smoke, 2003-2004, 7 panel installation, graphite/pastel/synthetic paper, 200×110 in. Drawing is one of the most sensitive mediums. It directly reflects the artist’s emotions and gestures through connecting the artist to the work without […]
Interact with This: Jeppe Hein and Michael Lin at P.S.1 – By James Westcott
In a corner gallery of PS1 at the new Spring exhibition, a small white cube floats in the center of the gallery as white cube. Interact with This: Jeppe Hein and Michael Lin at P.S.1 By James Westcott “Michael Lin’s installation, ‘Grind” in the P.S.1 cafe, embraces In a […]
Sol Le Wittââ¬â¢s Rational Mysticism – By Mark Daniel Cohen
Sol Le Witt defines the concept of Sol Le Witt, his work, and his contribution to and role in contemporary art when he says, "conceptual artists are mystics rather than rationalists. Sol Le Witt’s Rational Mysticism By Mark Daniel Cohen Sol LeWitt, Incomplete Open Cube 7/31, 1974. baked enamel on aluminum. 40″ […]
SCI-ART: Mapping Movement – By M-1000
If all people are ultimately thought to be information, then such categories as race, class, and gender may be stripped of their cultural charge. SCI-ART: Mapping Movement By M-1000 Anita Wong, Techno-Scientific Ice Age, Video Art and Installation, 2003. If all people are ultimately thought to be information, then […]
Let Them Eat Cake – By Charles Giuliano
It was a balmy August evening in 1957. Let Them Eat Cake By Charles Giuliano Ann Lislegaard, Corner Piece-The Space between Us, 2000-2003. Architectural sound/light installation. Courtesy the artist and Murray Guy, NY, NY. Photo courtesy of Mexico. It was a balmy August evening in 1957. At midnight the guests […]
Takashi Murakami Talks about “Tokyo Girls Bravo” – By Aaron Zimmerman
The first time I saw "My Lonesome Cowboy" by Takashi Murakami I nearly shit. Takashi Murakami Talks about "Tokyo Girls Bravo" By Aaron Zimmerman Chiho Aoshima, Untitled, 2004. Dimensions variable, Edition of 3. Copyright 2004 Chiho Aoshima /Kaikai Kiki. Co, Ltd. All Rights Reserved. Courtesy of Marianne Boesky Gallery & KaiKai Kiki Studio […]
