Author Archives: jolanta
Super Softly Slipping – Emilio Corti
A word that I always remember from the Middle Ages Art History books that I studied at school is re-use. So it came that new architecture resembled the old, with pieces of Roman basilicas, columns, capitals found, stolen, unearthed and changed. Super Softly Slipping Emilio Corti Massimo Grimaldi, "Coccloba Club Valtur Image Forced to Be […]
San Juan: Collectors, Collections and the Art Market – Thalia Vrachopoulos
As any cursory look will evince, the art scene of San Juan is vital and hopping. San Juan: Collectors, Collections and the Art Market Thalia Vrachopoulos Allora Calzadilla, Traffic Patterns, 2001-2003 As any cursory look will evince, the art scene of San Juan is vital and hopping. This is a change from five years ago […]
Skins of Time: Elegies, A Lamentation of Loss and Suffering – Ann Wilson
Harmony Hammond creates Proustian layers of paint in the evolution of succeeding levels of the present tense. Skins of Time: Elegies, A Lamentation of Loss and Suffering Ann Wilson Image courtesy of the artist"As though the musicians were not nearly so much playing the little phrase as performing the rites on which it insisted before […]
Tsibi Geva: Centripetal, Centrifugal Forces – David Shapiro
Meyer Schapiro, when asked why James Joyce united the Irish and the Jew in Ulysses, responded that both were indestructible in the fury of history. This is the sense of everyday heroism and sacred survivalism?neither Geva nor Bloom aspire to martyrdom?that is part of Jewish prudential wisdom. There is an ardent clarity even in the […]
Songs of Innocence and Experience: Showing the Two Contrary States of the Human Soul – Edward Rubin
As John Wood so forcefully states in his introductory essay to Songs of Innocence and Experience, a newly published book which pairs William Blake’s poems with Joel-Peter Witkin’s photographs, "No visual artist since Blake himself is better suited to illustrate Blake’s Songs than Joel-Peter Witkin. Songs of Innocence and Experience: Showing the Two Contrary States […]
The New Breed – Jason Murison
The Whitney Museum of American Art at Altria is off the beaten path for both gallery and museum viewing. Situated directly across the street from Grand Central Station, the annexed museum space once known as Whitney Philip Morris has gone through a recent publicity-driven make over. The New Breed Jason Murison Ivan Witenstein, installation view: […]
And the circus came to town? – Ron Johnson
This time it was the ride making the attractions. Rosemarie Fiore?s recent exhibition, "Scrambler Drawings," excited viewers with its playful exploration of time, chance, choice, and fun. And the circus came to town? Ron Johnson Rosemarie Fiore, "Scrambler Drawings" (installation shot).This time it was the ride making the attractions. Rosemarie Fiore?s recent exhibition, "Scrambler Drawings," […]
Thornton Willis and James Little: Raising the Bar – Vered Lieb
The Sideshow gallery in Williamsburg is a true work of love supported by artist/founder Richard Timperio, who has been showing some consistently terrific work for some time. Thornton Willis and James Little: Raising the Bar Vered Lieb James Little. Portrait of a Star, 2002. 78" x 96" Oil and Wax on CanvasThe Sideshow gallery in […]
The Personal Universal – Petra Bilbeau
Oakland artist Squeak Carnwath is a mystery. During her opening reception for her October solo show at the Oakland Art Gallery, she remained camouflaged among the many visitors who were examining, discussing and pointing at her work. The Personal Universal Petra Bilbeau Squeak Carnwath, Something Else, 2004, oil and alkyd on canvas over panel, courtesy […]
Baruchello and Grifi: “Verification Uncertain” Montage and Displacement Between Art and Cinema of th
This year the Venice Festival of Cinema will explore beyond the more interesting cinematic production of the last two years. Director Marco Muller has dedicated considerable space in the festival to a history of cinema which continues to be marginalized. Baruchello and Grifi: "Verification Uncertain" Montage and Displacement Between Art and Cinema of the 1960?s […]


br>
br>

