| We began by holding screenings at a few art galleries, media art centers and museums in Brazil; after the first event, we thought it would be important
 to have international videos to establish a dialogue with our own national
 production.   Our situation
 here in Rio de Janeiro was uncomfortable, and we were not happy with the discourse
 of nativism that was emerging from some quarters of the national art and cinema
 community.  International
 collaborators, like Microcinema (USA) and Video Art Channel (Japan), sent us a
 lot of material.
 We encouraged videos that were political, polemical and experimental informat; and decided from the start not to exhibit traditional narratives,
 except for a few rare exceptions. The DVD laisle speciale
 style=’font-size:8.0pt;font-family:Verdana;mso-ansi-language:EN-US’> came out
 of an exhibition of ours; it represents a part of the program, and a synthesis
 of what our screenings have meant to us.
   On the DVD, the Turkish artist Genco Gulan has a piece called Tele-Rugbystyle=’font-size:8.0pt;font-family:Verdana;mso-ansi-language:EN-US’>, which is
 about a dispute between two female teams who  push a T.V. inside a swimming pool from one side to the
 other.  The presence and activities
 of the girls suggests the media’s deceptive glamour, and the war it constantly
 wages to communicate. In a rather different vein, New York based video artist
 Matthew Gebhart has a strange and claustrophobic piece called Totem
 style=’font-size:8.0pt;font-family:Verdana;mso-ansi-language:EN-US’>, which
 evokes the schizophrenic relationship of new and ancient societies, a zone
 where the raw and the cooked get mixed up.  Pascal Lievre’s work Lacan Dalida
 style=’font-size:8.0pt;font-family:Verdana;mso-ansi-language:EN-US’> is a
 strange and improbable encounter between pop music and the texts of Jacques
 Lacan, in which two shadows sing a text that speaks to the impossibility of a
 real encounter. Another of Pascal’s videos, Axis of Evil
 style=’font-size:8.0pt;font-family:Verdana;mso-ansi-language:EN-US’>, is again
 an improbable encounter: the couple, in love at Niagara Falls, mimic and sing
 the words to Bush’s "Axis of Evil" discourse as if it were a poppy
 love song.  Erika Fraenkel’s work Taxi
 Aereo, is a video where a girl in bikini recites a long text which splices
 together a discussion of globalization, Wittgenstein’s Tractatus Logico
 Philosophicus, and much else. By the same artist, F�rias
 For�adas, which means, "forced vacations," is a video about
 kidnapping, domestic violence, terrorism, and life imitating the TV news: it’s
 based on the true story of a businessman who was videotaped being spanked by
 his kidnappers, but was released after his captors realized that he owed more
 money than he could pay.
   Many of the videos we feature are both politically engaged andstyle=’font-size:8.0pt;font-family:Verdana;mso-ansi-language:EN-US’> poetically
 experimental, concerned with interrogating the place of video as an art form.
 Katsuyuki Hattori’s Study on Media “education before education”
 style=’font-size:8.0pt;font-family:Verdana;mso-ansi-language:EN-US’>
 style=’font-size:8.0pt;font-family:Verdana;mso-ansi-language:EN-US’>and
 Masayuki Kawai’s
 style=’font-size:8.0pt;font-family:Verdana;mso-ansi-language:EN-US’>A not=A
 or For Devatas Who Keep on Dancing would, for me, fall into this
 category. Kazumi Kanemaki’s President
 style=’font-size:8.0pt;font-family:Verdana;mso-ansi-language:EN-US’>is about a
 girl who tapes herself in her flat and studies night and day with the aim of
 becoming president.
   This dvd project is a noncommercial enterprise; soon, we will be showing it in Istanbul and Napoli, and
 look forward to other venues; and we look forward to receiving more work from
 video artists. Organizing such chaotic production into a coherent
 discourse is something that we have been very much trying to avoid.
 style="mso-spacerun: yes">  It’s difficult to make a history of the
 present, but we do feel very grateful to be contributing in many ways to this
 work in progress.
   Carlos Sansolo can be contacted athref="mailto:csaslo@hotmail.com">csansolo@hotmail.com
 name="_Hlt56944646">
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