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For his first solo exhibition Sterling Ruby & Robert Mapplethorpe at Xavier Hufkens, Sterling Ruby engages with the photography of Robert Mapplethorpe. The artist visited the Robert Mapplethorpe Foundation in New York to personally select the photographs. Ruby presents a new body of works, including a suite of collages, ceramics, and poured urethane sculptures. In this installation, Ruby uses the Mapplethorpe photographs as another element in his assemblage. Originally attracted to Mapplethorpe’s subject matter, marginal subcultures, the flowers and still lifes, Ruby began to ask a more complicated set of questions. Can one have a conversation with an artist who is no longer living? What are the natures of autobiography and biography? Why is psychoanalyzing Robert Mapplethorpe so compelling? Did he seek to distance himself from his subjects? |
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Xavier Hufkens, Brussels
For his first solo exhibition Sterling Ruby & Robert Mapplethorpe at Xavier Hufkens, Sterling Ruby engages with the photography of Robert Mapplethorpe. The artist visited the Robert Mapplethorpe Foundation in New York to personally select the photographs. Ruby presents a new body of works, including a suite of collages, ceramics, and poured urethane sculptures. In this installation, Ruby uses the Mapplethorpe photographs as another element in his assemblage.
Originally attracted to Mapplethorpe’s subject matter, marginal subcultures, the flowers and still lifes, Ruby began to ask a more complicated set of questions. Can one have a conversation with an artist who is no longer living? What are the natures of autobiography and biography? Why is psychoanalyzing Robert Mapplethorpe so compelling? Did he seek to distance himself from his subjects? Was Robert Mapplethorpe’s formalism a mask intended to hide his subjectivity, which he would then allow us to see?
Ruby’s work strives toward a transgression of fixed identities. His transcompositional collages incorporate images of pre-operative and post-operative transsexuals and splatterings of nail varnish on a mirrored background. Although Ruby traverses similar ground to Mapplethorpe, his relationship with his subject matter is far from clear. He often exploits abject or marginalized subject matter to breach preformed dichotomies such as liberation and repression, conformity and marginality, passivity and aggression. The inclusion of Robert Mapplethorpe’s works into this massive installation seeks to open up new and irrational readings of the work of Sterling Ruby and the work of Robert Mapplethorpe.
