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I enjoy using the human figure in my work because we cannot help but project on and relate to it. |
“I enjoy using the human figure in my work because we cannot help but project on and relate to it. The bodies in my work are multiplied in different poses, twisting, floating and falling on a ground purged of contextualizing marks. I never pose my models; they have free reign to move in an immediate, improvised dance.This looseness contrasts with a fastidious drawing technique, where I capture the bodies of my models as if formal elements in a collage. I see them transformed from free individuals into symbolic figures. This is akin to the transformation of human experience in mythology and religion.”
