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Siobhan Tattan’s practice consists of assembled props, a fragmented weave of projected images and scripted voice-overs, referencing memory and the processes of her practice. |
Siobhan Tattan’s practice consists of assembled props, a fragmented weave of projected images and scripted voice-overs, referencing memory and the processes of her practice. Her work inquires into the discords of historiography and the disruptive temporal transitions that occur between its article and its rendition. When writing the scripts she places priority on creating quasi-fictional anecdotes, as her interest lies with the failed role of the historiographer, who laces historical accounts with personal fragment.
