• Putting it Together Again: New Work by AJ Nadel – Vivek Narayanan

    Date posted: June 14, 2006 Author: jolanta

    Putting it Together Again: New Work by AJ Nadel

    Vivek Narayanan

    In
    his most recent work, New York-based AJ Nadel continues to explore popular representation, sexuality and the ways in which we look at and respond to the human form. Nadel’s unusual and intriguing photo collages interweave a number of different materials colored paper, photocopied documents, toner powder, Polaroid and emulsion transfers and thus offer to the eye a rich and palimpsest-like texture. His new series, however, does not draw anymore from a number of sources (such as magazines, etc.) but uses only one female subject in a number of provocative poses; and each collage offers multiple perspectives on the same picture.
     Image
    These
    new works are not a return to innocent portraiture; the poses are highly
    referential, and Nadel’s model is an actress-friend who is self-conscious about
    her own representation in the context of ubiquitous, still-current ideas about
    female sexuality. Yet, they are a (possibly temporary) shift in the artist’s
    process away from found images to considering how "direct" seeing can
    still be mediated. Nadel’s work has always engaged with popular culture, but
    has never resorted to condescension or total irony: there is an earnestness to
    his explorations that wants to transcend our age. And, if he sometimes
    superimposes image on image, emulsion on emotion, showing up a hundred
    different kinds of seeing, the end result always possesses a striking clarity
    and focus. He is obviously an artist of our fragmented present, but he is also
    concerned with coherence in the midst of that fragmentation. Nadel’s new work,
    then, makes sense as part of this trajectory, focusing further as it does on a
    single "live" studio subject, distorted and reconfigured with
    textured and perplexing variety.

     

    AJ
    Nadel will next exhibit as part of the show, "Fragmenting the Human
    Form," at the Figureworks gallery in Brooklyn from January 9 to February
    15, 2004.

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