- 2007


Abraham Lubelski?s Recent Installation Work: 

ART BY ABRAHAM LUBELSKI
In the vein of the likes of Urs Fischer at the Whitney Biennial last year, artist Abraham Lubelski has recently taken to destroying a wall or two in the name of art and political message...

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- 2007


Home Base II: 

ART BY ABRAHAM LUBELSKI
My dad still lives in the home where I grew up. One day he called me, sounding kind of irritated, and apparently overwhelmed by clutter in the house....

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- 2003


Runway to Runway, Text Show (Video Stills): 

RUNWAY TO RUNWAY VIDEOTAPE*
In the spirit of Joseph Beuys’ I Like America and America Likes Me airport to gallery to airport performance (and more recently Oleg Kulik’s reinterpretation I bite America and America Bites Me) from the moment Lubelski steps off the plane in San Francisco to his return to New York City the artist Chris Natrop will document his encounters with people and their consequences for the Writing on The Wall exhibition. (...)

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- 2003


Writing on the Wall, Text Show (Selected Writings):

In the spirit of Joseph Beuys’ I Like America and America Likes Me airport to gallery to airport performance (and more recently Oleg Kulik’s reinterpretation I bite America and America Bites Me) from the moment Lubelski steps off the plane in San Francisco to his return to New York City the artist Chris Natrop will document his encounters with people and their consequences for the Writing on The Wall exhibition. (...)

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- 2001


RE:DUCHAMP Traveling Exhibition (Venice Biennial' 01):

The traveling exhibition Re: Duchamp is an open-ended (both conceptually and temporally) collaborative work of Abraham Lubelski’s that allows for numerous manifestations and interpretations and encourages wide participation. Re: Duchamp has incorporated the work of over 250 other artists (including Nam June Paik, Dennis Oppenheim, Carl Andre, Ilya + Emilia Kabakov, Inka Essenhigh, Taylor Mead, and Larry Weiner, among others). (...)

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- 1992/2003
450.000 Works on Paper:

The most recent works of Abraham Lubelski and incorporate the work of over 250 other artists. The installation is an assemblage of clotheslines from which are hung all the artwork for viewing at one time. These shows become a Duchampain metaphor of the contemporary art world.

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