• Dan Flavin. untitled (Marfa project) (detail), 1996. Permanent collection, The Chinati Foundation, Marfa, Texas. Photo by Douglas Tuck, 2009. Courtesy of The Chinati Foundation. ©2011 Stephen Flavin / Artists Rights Society (ARS), New York

      Dan Flavin Exhibition at Judd Foundation

      Sunday, 28 June 2015 14:16

      Make art, not pipelines Get in on the Ground Floor Dan Flavin, 2 works June 12, 2015 – September 19, 2015 Public hours: Fridays & Saturdays 1:00-5:30pm 101 Spring Street, NY Aspects of Flavin’s Work Essay by Donald Judd Written for and published in the exhibition catalogue: Fluorescent lights, etc. from Dan Flavin, National Gallery […]

    • Image: Joan Jonas, They Come to Us without a Word


      Sunday, 28 June 2015 14:05

      They Come to Us without a Word II presented in conjunction with Jonas’s U.S. Pavilion exhibition at the 56th International Art Exhibition of La Biennale di Venezia PERFORMANCE THEY COME TO US WITHOUT A WORD II July 20, 21 and 22, 2015 at 9pm Teatro Piccolo Arsenale, Campo della Tana, Castello, Venice, Italy in collaboration […]

    • immersive ltd art technology sculptures libeskind expo 2015 milano siemens animation

      Immersive help Puma reveal new Arsenal away kit withelectrifying projection

      Wednesday, 17 June 2015 16:43

      The new gold and navy diamond pattern is inspired by lightening. Singapore – July 17, 2015 – Immersive (www.immersive-london.com) created animation and projection for Arsenal’s reveal of the new 2015-16 gold and navy away kit. The launch took place during pre-season tour in Singapore. The design is based on the 2001-02 double winning season, with […]

    • Francesco Clemente, Standing With Truth Tent, 2013 (interior view). Tempera on cotton and mixed media,118 1/8 x 236 1/4 x 157 1/4 inches (300 x 600 x 400 cm). Courtesy of the artist and Blain/Southern Gallery, Berlin

      Francesco Clemente: Encampment at MASS MoCA

      Tuesday, 16 June 2015 15:54

      “I’m told I am a nomadic artist,” artist Francesco Clemente once dryly noted. In Encampment — a multi-part 30,000 square foot installation occupying MASS MoCA’s largest gallery — Clemente’s transitory experience of changing geographies, diverse cultural climates, and indeed consciousness itself infuses his imagery and art with a particularly rich range of references and meaning. […]

    • Kudzanai Chiurai, "Revelations 10", 2011. Courtesy of the artist and Goodman Gallery, Johannesburg

      ‘After Year Zero’ at Museum of Modern Art, Warsaw

      Sunday, 14 June 2015 00:46

      “After Year Zero” investigates geographies of collaboration and the politics of universality after 1945, during the period of decolonization. The Museum of Modern Art in Warsaw hosts the second presentation of the exhibition, which was initially produced and presented at the Haus der Kulturen der Welt (HKW) Berlin in 2013. Museum of Modern Art together […]

    • Studio Sweet Home, public art, NYC. Street Art NYC.

      Interviews with Street and Graffiti Artists, BOS 2015

      Sunday, 7 June 2015 19:41

      Juguetería/Toys Warehouse — Interactive Exhibit by Studio Sweet Home — to Open at Exit Room NY for Interviews The Studio Street Home duo — Colombian native Yeimi Salazar and Puerto Rican native Melvin Sanchez – began collaborating six years ago, soon after they met in NYC. Their first solo exhibit will open tomorrow and Saturday at Exit Room NY during […]

    • Agnes Martin Untitled 1959 Oil on canvas

© Estate of Agnes Martin/DACS, London, 1915

      Tate Modern: Agnes Martin

      Wednesday, 3 June 2015 16:35

      Tate Modern: Exhibition 3 June – 11 October 2015 Agnes Martin is perhaps most recognised for her evocative paintings marked out in subtle pencil lines and pale colour washes. Although restrained, her style was underpinned by her deep conviction in the emotive and expressive power of art. Martin believed that spiritual inspiration and not intellect […]

    • Untitled-1


      Sunday, 31 May 2015 18:56

      By Tony Zaza, The Roving Eye | Film The 2015 Tribeca Film Festival sheds some fearless light upon the worldwide problem of identity. This year’s assortment of works start in Brooklyn and end in Morocco. They feature an army of unknowns and unknowables: delinquents, compe’sinos, extraordinary gentlemen, uncommon women. They exhibit the ambiguity of their […]

    • Gisele Freund photographs of Frida Kahlo in the garden of La Casa Azul

      ‘I paint flowers so they will not die’ – Frida Kahlo at The New York Botanical Garden

      Friday, 29 May 2015 22:49

      “I paint flowers so they will not die. I hope the leaving is joyful; and I hope never to return. Feet, what do I need you for when I have wings to fly? I paint self-portraits because I am so often alone, because I am the person I know best. I never paint dreams or […]

    • Pawel Wojtasik, Next Atlantis video, 2010. Photo by Yuko Torihara


      Friday, 29 May 2015 17:03

      Curated by Emil Memon and Kyoko Sato Ono, and the show is made possible by Patrick Oban May 15-29, Open to the public by appointment Mon-Fri 12-5pm. There is an album by the great British Punk/Goth band The Damned History of the world (Part 1) that inspired the name of the present Art show. A great record, vinyl for that matter, with a killer Art work on the jacket […]

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